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Friday, 28 September 2012

Doctor What?

I am a big fan of Doctor Who. I watched it (and hid behind the sofa from it) and I remember being told that a particularly scary alien had been made by school children in their classroom. I didn't buy that: said alien was clearly going to come and get us all.

Although I watch Doctor Who, if I had children of my own I wouldn't let them watch it, because of the obvious agenda which has been present since its reincarnation with Christopher Eccleston as the Doctor, that is, the normalisation of same-sex relationships. I feel this is particularly relevant now with the current move towards the legalisation of same-sex marriage (despite the fact that the government has no mandate for this, but don't get me started). OK, so we all know that the BBC has a very liberal ethos, but it worries me that such ideas (not to mention the level of sexual innuendo) are being blatantly targeted towards children.

In the episode The Doctor Dances the Doctor (Eccleston) tells his assistant Rose that humans from the 51st century (ie. the pansexual Captain Jack) are more "flexible". The implication is clear, that we mere 21st century beings are limited in our understanding of human sexuality. By the 51st century we have come to realise that everyone can sleep with whomsoever they wish...be they man, woman, Ood, Time Lord or headless monk...and especially if they're Captain Jack. If there was ever an example of a person who sought, and failed to find, fulfilment in the concupiscences Captain Jack is that man.

In the recent episode A Town Called Mercy the Doctor asks the town preacher if he can borrow his horse. The preacher tells the Doctor that the horse is called Joshua, meaning deliverer. The Doctor replies that he speaks horse, "His name's Susan and he wants you to respect his life choices". Yes, that's right, gender is a choice. LGBT orientation is so natural that its even found in animals.

I had hoped that when Russell T Davies (whose writing frequently centres on sexuality - his series Queer as Folk portrayed a gay sexually active 15 year old - see Wikipedia for his complete works) left the series that this element would disappear. However, it was obviously not to be. Whilst A Town Called Mercy contains an interesting exploration of revenge, mercy and reconciliation, it also clearly portrays the aforementioned idea that we can choose our gender, as well as touching on the assertion that it is fear which leads to prejudice, hatred and violence, and the illogical inverse that all prejudice (or perceieved prejudice) stems from fear. How often have we recently heard gay-rights activists claiming that Christians are afraid of homosexuality?

If I am afraid of anything it is that the normalisation and acceptance of intrinsic wrongs lead to the perception that they are objective goods and that the confusion of freedom with licenciousness will continue to reinforce the dictatorship of relativism and the culture of death. Which is why I write with one eye on the screen, and the other firmly firmly fixed on a crucifix.

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